The Bahá’í House of Worship in Delhi, popularly known as the Lotus Temple due to its flowerlike shape, is a Bahá’í House of Worship and also a prominent attraction in Delhi. It was completed in 1986 and serves as the Mother Temple of the Indian subcontinent. It has won numerous architectural awards and been featured
in hundreds of newspaper and magazine articles.
All Bahá’í Houses of Worship, including the Lotus Temple, share certain architectural elements, some of which are specified by Bahá’í scripture. `Abdu’l-Bahá, the son of the founder of the religion, stipulated that an essential architectural character of a House of Worship be that it requires to have a nine-sided circular shape. Inspired by the lotus flower, its design is composed of 27 free-standing marble clad “petals” arranged in clusters of three to form nine sides. While all current Bahá’í Houses of Worship have a dome, they are not regarded as an essential part of their architecture. Bahá’í scripture also states that no pictures, statues or images be displayed within the House of Worship and no pulpits or altars be incorporated as an architectural feature (readers may stand behind simple portable lecture stands). The nine doors of the Lotus Temple open onto a central hall, capable of holding up to 2,500 people. The central hall is slightly more than 40 meters tall and its surface is made of white marble. The House of Worship, along with the nine surrounding ponds and the gardens around comprise 26 acre (105,000 m²; 10.5 ha).
The site is in the village of Bahapur, in the National Capital Territory of Delhi. The architect was an Iranian, who now lives in Canada, named Fariborz Sahba. He was approached in 1976 to design it, later oversaw its construction and saved money from the construction budget to build a greenhouse to study which indigenous plants and flowers would be appropriate for the site. The major part of the funds needed to buy this land was donated by Ardishír Rustampúr of Hyderabad, who gave his entire life savings for this purpose in 1953.
The Temple has received wide range of attention in professional architectural, fine art, religious, governmental and other venues.
Source: Wikipedia
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